Lights in the Landscape – The New Trend in Land Art and Installation by Anna Fothergill

My recent research has brought to light (pardon the pun) a trend which seems to be gaining popularity with both artists and the general public; the use of lights in ways and places they do not belong. It seems to me, there is a fascination in the collective artistic world of the way electric light can be manipulated in art. This is being done in many ways, such as in  Jessica Lloyd-Jones’s glass human organs containing neon lights or any display from Gent’s yearly Light Festival, an event which is definitely on my bucket list. However, I think it is the subtler use of light that appeals to the general public. Specifically, stimulated lighting in a natural setting.

Copyright Barry Underwood
Copyright Barry Underwood

The placement of ethereal shapes in a landscape creates a juxtaposition of a traditionally urban feature and nature, yet when it’s done well, there does not seem to be anything unnatural about it. The work of an artist like Barry Underwood perfectly illustrates how well this creation of an electric environment works in beautiful harmony, despite all logic.

Copyright Barry Underwood

Works such as these, whilst falling under the category of ‘land art’, also span many other mediums, and this could explain why it has gained such popularity. This fascination has even seeped its way into national advertising, like Ikea’s recent advert. These light installations are sculptures, surreal photographs and now advertising agents. Underwood’s work seeks to turn the everyday into something unique and unusual. These images, to me, are reminiscent of fairy tales, of something magical happening away from the every day world. They are scenes from a mysterious play, and each installation has its own dream-like narrative, which the viewer cannot help but be drawn to.

Copyright Barry Underwood

The collision of the material and the natural world generates a refined contrast.

Copyright Barry Underwood

The strange beauty of light cannot be captured to its fullest extent but this has not stopped artists from trying and at the heart of this use of light, we essentially see an example of the human condition, choosing light over darkness. Barry Underwood’s lights in a night landscape brilliantly brings together all aspects of installation, photography and a basic human instinct.

Copyright Barry Underwood
Copyright Barry Underwood

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Anna

Warwick Art History Student. Loves Photography, peppermints,Tintoretto, travelling, coffee, writing about Allegory and one day hopes to have a dog called Winston.

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